"My mother's tongue is Bosnian "
art exhibition in the gallery, and locksmith
"My mother's tongue is Bosnian"
04:08:07, 19 clock
opening
music Deejane
buffet
05:08:07, 20 clock
"Vizionary Society" from Sarajevo
Film - Discussion
The exhibition "My mother's tongue is Bosnian" as the work of five
representatives of the group "Vizionarsko Društvo" all of whom live in Sarajevo in Bosnia-Herzegovina
and work.
The socio-political circumstances which have in the works of artists displayed their
precipitation, offer the occasion to take stock of
current situation in Bosnia-Herzegovina.
The title "My mother's tongue is Bosnian" reflects a new understanding of
of artists. It is characterized by pride, a rebellion and the will to
to assert themselves as people with their own views and cultural background in a
country in Europe by the globalized economic and
socio-political value system of the EU plays an increasingly important role.
We are delighted that the artists will personally be a guest and therefore the
opportunity for dialogue and exchange is on a cultural basis on which
all visitors are welcome. Further on it is
on the following Sunday, the clock showed 20 08/05/2007
a film that documents the activities of the "Vizionarsko Društvo" and SICE of Baraka
in Sarajevo, Berlin, Tokyo. All spectators are following
invited to a question and discussion session attended by the Bosnian artist
.
art and Bauschlosserei
Kantstraße 18 (Südvorstadt)
04275 Leipzig
* Fri: 18 - 20 clock
Sat / Sun: 15-20 clock *
www.artpa.de
Saturday, August 4, 2007
Wednesday, August 1, 2007
Comcast Digital Phone Arris Modem
petersgriff @ 2007-08-01T12: 20:00
March of Life Guards regiment of the Transfiguration
hard to imagine a music that so aptly personified would win the Russian army, its spirit. This music is on a par with the famous march "Farewell of Slav" is a symbol of Russia, our great heritage. The march annually perform at the parade on May 9 for removal of the Banner of Victory. Music, a symbol of the victory of Russian pre-revolutionary army becomes the background to symbol of our great victory.
old author and the exact year of writing this march. Some Western historians believe that the march might Swedish origin, but no evidence, no. In Germany, long a common opinion [3] that the march was composed in 1816 by Ferdinand Haase (Ferdinand Haase 1788-1851, chief conductor Orchestras Guard troops in 1830-1850, respectively). However, in 1816 and 1817 respectively Haase (Haase), after the Russian captivity, was at the court of Grand Duke Konstantin Pavlovich in Warsaw and the possibility that he could compose a march, march instantly become an elite regiment of the Transfiguration, it seems highly improbable.
Also the very structure of the march in the form of Kant's very likely indicates that the march was composed in the first quarter of XVIII century. Also believes, and Deutsche Gesellschaft für Militärmusik (DGfMM). Indirectly confirms the occurrence of the march under Peter I of its popular pre-revolutionary name - "March of Peter the Great" or "Peter Marsh". Maybe Melody the march was taken from the song "We Know Turks and the Swedes" ("Glorious were our ancestors" - a later text), and may originally appeared march, and these texts - later. However, check it now does not seem possible. I would very much helped the notes of the march of the XVIII century, but the existence of those unknown to us.
possible that the original march was without trio may have been other melodic changes.
In 1816 the march was included in the Russian Imperial catalog marches (kaiserlich russische Marsch-Sammlung) numbered I, 54. About this catalog in Russia is not known, however, German historians constantly refer to it by mentioning that our catalog has become the basis for the famous Prussian (later German) catalog marches - Königlich-Preußische Armeemarschsammlung (AMS), established by decree of King Friedrich Wilhelm III in 1817. Most likely, the Russian directory was created under the leadership of Anton Derfeldta-father, (Anton Dörfeldt 1781 - 1829) who from 1802 to 1829 years was the chief conductor of orchestras Guard troops. Perhaps This directory has another name - "Collection of military marches of all the regiments of the Guard A. Derfeldta. However, the German historians mention the fact that when you create Armeemarschsammlung (AMS) has been selected 72 march of about 140 available. This indicates a large number of marches in the directory and exclude the possibility of making a directory exclusively marches of the Guards regiments. This is confirmed and details of some marshes, like standing in a Russian catalog, such as the famous "Paris march 1815" It had room II, 55. Also among those first 72 marches and was forgotten in Russia AM I, 18 March Arhangelogorodskogo Infantry Regiment, a regiment that had no relation to the Life Guards. It should be noted that the directory Derfeldta-father is in the Russian State Library in Moscow under the title «Partition des marches militaires des gardes imperiales russes». Unfortunately, we did not have opportunity to see this valuable source, and clearly answer the question - whether he is Russian Imperial catalog marches.
At AMS, established in 1817 was based on the Russian catalog, among those 72 selected marches was included and the march of the Life Guards regiment of the Transfiguration of the number of AM I, 30. He was Präsentiermarsch (counter-march) Prussian Infanterie-Regiment Graf Schwerin Nr. 14 (3. Pommersches) in Bromberg (Provinz Posen), and a Pionier-Bataillon Fürst Radziwill (Ostpreußisches) Nr. 1 in Königsberg (Ostpreußen), where he played until 1914 after World War II march played in East Germany and West Germany.
In Russia, he was also a march Novoingermanlandskogo 10th Infantry Regiment, 147th Infantry Regiment, Samara and Vyborg garrison infantry battalion.
But the march came as a Southern Europe and other Western European countries. King Alfonso XIII was so impressed them with his first visit to Russia, he asked permission of the Emperor Nicholas II used to march his Guardie de Alabarderos. The regiment guarded the royal palace and is considered the oldest regiment in Europe.
Brother Swedish Queen Louise, Lord Mountbatten (1900-1979), Earl of Burma, last Viceroy of India, the uncle of Prince Philip, husband of Queen Elizabeth II, was a cousin of wife of King Alfonso XIII, Princess Victoria Eugenia von Battenberg, and I saw how in 1928 the English guards in their splendid uniforms and his orchestra performed the "Transfiguration March. At Lord Mountbatten's march made so impressed that he told the English king that he would use the march to the Royal Marines (British Royal Marines) and received approval [2].
However, there is anecdotal evidence of one Englishman, in a television interview in early 1970, Lord Mountbatten said that the march he inherited from his German ancestors (his mother was a Hessian princess Victoria, the eldest sister of the last Russian empress Alexandra Feodorovna).
Anyway, Lord Mountbatten proposed the use of "Transfiguration of March", arranged by Vivian Dunn (Sir Francis Vivian Dunn 1908-1995) in the Royal Marines as a counter- March (Slow March). But the leadership of Royal Marines long resisted.
But Lord Mauntbettenu managed to introduce a march in other structures. In 1942, Lord Mountbatten ordered orchestra «Combined Operations Command» play "Transfiguration march" as a march to inspect the guard of honor. Since then, his orchestra played all the appearance of Lord Mountbatten as First Lord of the Admiralty, not only as music, for inspection, but the march to a solemn passage in parades, and ceremonies «Beating Retreat». Also, US Marine Band played the march, if they are inspected by Lord Mountbatten.
Yet "Transfiguration march" has not yet become a regimental march opposing the Royal Marine Infantry (Regimental Slow March), but Mountbatten did not give up, and the 300-year anniversary of the Royal Marines in 1964 he was already being chief of the British Armed Forces (Chief of the Defence Staff), attributed the march to the Marines, where the march was hastily endorsed as the regimental march of the counter. It is noteworthy that in the television series «Mountbatten» theme song - "Transfiguration march "in the orchestra of Royal Marines.
may also mention another application of this march as a musical greeting in the performance of brass band instead of signals from the horn, while meeting and seeing most August personages and military officers of higher rank in the Royal Navy of Great Britain (Royal Navy) and the Royal Marines. In 1909 it was approved, that the general should welcome the first 8 bars "Transfiguration of the march, but played at a fast pace.
But Lord Mountbatten was not satisfied with the that "the march of Transfiguration" was approved by the regimental march of the counter in the Royal Marines. He was an honorary colonel in the British Life Guards (Life Guards, it is noteworthy that in Britain it is purely a cavalry division), and in 1970 he sought to "march of the Transfiguration" and also played at the birthday party Queen (ceremony «Trooping the Solor) Orchestra of the Life Guards. Orchestra conductor Antony J. Richards, said afterwards: "It's a good march, and he's very good for equestrian units, If he plays in a special way, if you start with the second stroke, and only play the first 2 topics «da capo» and do in the third quarter in the eighth step of the emphasis on proportion. " Thus it was arranged and performed by Richards, but in 1979 Lord Mountbatten was killed in a suicide attack, and march in the Life Guards are no longer performed.
It should also be mentioned that Vivian Dunn wrote «The Mountbatten March» in 1970, the beginning of the march, he built a 4-stroke "Transfiguration of the march."
Johann Strauss son (Johann Strauss II, 1825-1899) in 1856 wrote Waltz «Kroenungslieder» (Op. 184) that begins with the march of the Life Guards regiment of the Transfiguration, and dedicated it "with the deepest respect for Her Majesty the Empress Maria Alexandrovna." The Empress, born Maximilian Maria Wilhelmina, Princess of Hesse-Darmstadt (1824-1880), daughter of Grand Duke Ludwig II of Hesse, married in 1841 for the Grand Duke Alexander Nikolaevich, the future Emperor Alexander II. Waltz was written for the coronation of Alexander II and was first performed 14 (2) August 1856, at the second concert benefit performance of Strauss, together with a French polka "L'Inconnue» (op. 182). Valls was performed 32 times during the concert of Strauss in the pavilion "Vauxhall" in Pavlovsk (Vauxhall Pavilion). The king was so inspired by playing Strauss Orchestra, which ordered him to attend the coronation celebrations in Moscow on September 7 (26 August) and conduct the orchestra at the ball, which gave the Austrian ambassador, Prince Paul Esterhazy. In a letter to his Viennese publisher Haslingeru Karl (Carl Haslinger) 14 (2) September 1856 Strauss wrote about the waltz and polka: "With these two things I have here a great success. Although I had a little time, I had even less confidence in their success."
in 1834 at AMS under the number AM II, 99 includes a second march Transfiguration Regiment - «Marsch des Leib-Garde Preobraschenski Regiments» von Ferdinand Haase (or «Geschwindmarsch aus St. Petersburg vom Leib-Garde-Preobraschenski-Regiment»).
lack of literature on this topic, closed our archives Our amateur status does not allow us yet to answer the question whether there was a tradition in the guards regiments have several marches. However, this tradition has been in Prussia, and one can assume that this tradition is likely to have been ours. This is confirmed by the recollections of officers of the tsarist army [7]. Also, we have found "Second" March of the Life Guards Izmailov, Semenovski, Kexholmsky, Volyn, Chasseur regiments, the Life Guards Battalion and this - the march of the Life Guards Transfiguration Regiment.
This music is quite unlike the well-known to us now march. In the trio - artfully crafted hymn Lviv "God Save the Tsar", adopted a year before entering AM II, 99 in the AMS. VI Tutunov mentions that Peru Haase belongs to the editorial board of the Transfiguration of the march, and possibly adding a trio of [8]. But it seems Haase wrote second regimental march, soon (in modern terminology - drill) to include a trio of the new anthem of the Russian Empire. With the advent of the catalog of the march, probably and related confusion about authorship Haase and trios in the first known to us march Transfiguration Regiment (AM I, 30). The fact that the renowned German expert in the field Wind Music 2 nd half of the XX century Joachim Toeche-Mittler (Joachim Tehe-Mittler) wrote about AM I, 1930: «im Trio das Lemberger Lied» («L'viv in the trio's song") [5], but this assertion is wrong. Obviously, he confused the name of Prince Lvov, the author of "God Save the Tsar" in the city of Lviv, then called Lemberg and is part of the Austrian monarchy. Tehe-Mittler mistakenly moved the name of Russian national anthem ("Song of Lviv», «das Lemberger Lied» in his erroneous translation) for the song "Glorious were our grandfathers."
separate consideration deserves the use of the march in Germany after 1918 according to our data, it was included in Heeresmarschsammlung numbered HM I, 45. The fact that AMS was "closed" in 1925, and in the years 1933-1945 drawn up by his successor - Heeresmarschsammlung (HMS). It includes as many marches of AMS (in a new orchestration), and other marches. Confusing is that this march was made to drill in the catalog counter. However, perhaps the error crept in, and the HMS was introduced exactly AM I, 30. Anyway, this is a very intriguing fact - in Hitler's Germany had the official status of one of the marches of the Life Guards regiment of the Transfiguration. However, it is not so rare, we recall the Austrian march "Tsarevich Alexander Marsh" 1853 Andreas Leongardta (better known as the AM II, 161 «Alexander-Marsch» von Andreas Leonhardt), who was one of the official drill marches Waffen-SS numbered HM II, 44 in the HMS. Or, for example, HMS was not included preserved in the Russian drill march of the Life Guards regiment Semenovski AM II, 1962 under number HM II, 15 (more than that - it sounds a propaganda film by Leni Riefenstahl «Der Sieg des Glaubens» («Victory of Faith", 1933). Also numbered HM II, 72 was included "March 75 th Infantry Regiment, Sevastopol» AM II, 183, which we more commonly known as "Column March 14 th Georgia Infantry Regiment, "or" Former patrol the march. "
Now in Russia soon (drill) march Transfiguration Regiment (AM II, 99) completely forgotten ...
In the postwar years in Germany all AMS and HMS was recorded at a series of 52 records «Historische Armeemärsche», were recorded and marches Transfiguration Regiment. For some reason in both cases the sounds a well-known AM I, 30, recording only differ in tempo, the first march in the discreet "authentic" pace XVIII-th century, a second faster (as played by now). Were probably lost original music AM II, 99. Only in the XXI century we have heard this a rare march in the performance of German Landespolizeiorchester Brandenburg under the baton Jürgen Bludowsky (entry 2005).
The fact that the Transfiguration March "comes from the era of Peter the Great, also confirmed the opinion of the conductor Eduard Napravnik, who in 1896 published the publisher Boosey & Co. concert march of "Peter the Great," based on "Transfiguration of the march."
In 1914 came the march "Accession to the Lions" (National Anthem and the Transfiguration of the march) [6] devoted to Gen. NV Ruzsky, under whose command the Russian forces took the Lions on Aug. 21 (Sept. 3), 1914. In this work, the famous melody of the march put words of the hymn "God Save the Tsar".
Marsh was performed in the Soviet era, there is a recording orchestra NGOs under Semyon Alexandrovich Chernetsky. March repeatedly recorded the first individual Orchestra of USSR Ministry of Defense, the Defense Ministry, the Orchestra of Leningrad military district headquarters, the Admiralty Orchestra LVMB, the Orchestra of St. Petersburg Suvorov Military School, and others. The oldest well-known account of the march is to record the orchestra Guards running Wojciech Ivanovic Glavacha (1849-1911).
In conclusion, I want to say about the extreme poverty of the repertoire of our military bands. An example of an early (combatant) March Transfiguration Regiment confirms it. Conductors do not want to write new wetlands, the publishers do not study the archives, recording and releasing only the most famous, not afraid to say - beaten product. Repertoire rolled to the stage. Here I want to say thanks to the two conductors - AA Karabanova and NF Uschapovskomu for entry Russian гвардейских маршей и маршей С. А. Чернецкого.
Смешно сказать, наши оркестры записывают и играют марши самопровозглашенного «короля маршей» Дж. Ф. Сузы (J. P. Sousa) Today, when most of the marches of our patriarchs - Chernetsky, Ivanova-Radkevich, Hythe, Runova, Diev and pre-revolutionary masters: a father and son Derfeldtov, Haase, Wurm, Becker, Leyseka - known for a wide range of listeners. A huge amount of music, recorded the first Orchestra of USSR Ministry of Defense Never released on CD-ROM. Archives, which holds the most valuable records are almost inaccessible to the private user. And all this occurs against the backdrop of officiously-positive reviews in the media about September's military festival in Moscow.
Agafonov (marsches@narod.ru)
Petrov (petrovfed@rambler.ru)
St. Petersburg, July 2007
Sources:
1. http://marsches.ru/
2. Lars C. Stolt. Preobrazjenskij-Marschen
( http://www.militarmusiksamfundet.com/show_artikel.asp?id=preobraz )
3. LP Historische Armeemärsche Folge 19
4. Deutsche Armeemärsche Band I, 1961
5. Toeche-Mittler J. Deutsche Armeemärsche
6. Accession to the Lions (National Anthem and the Transfiguration of march): For the AF. MM: YU.SCH.: Warehouse Y. Zimmermann BG
7. Redkin AP Picture of peaceful life of the Life Guards Pavlovsky Regiment. Regimental holiday 1910 / / Military profit. № 44. 1960
( http://diderix.petergen.com/plz-pp1.htm )
8. Tutunov VI Military History Music Russia / Society. Ed. E. Aksenova. - M: Music, 2005. - 496.
March of Life Guards regiment of the Transfiguration
hard to imagine a music that so aptly personified would win the Russian army, its spirit. This music is on a par with the famous march "Farewell of Slav" is a symbol of Russia, our great heritage. The march annually perform at the parade on May 9 for removal of the Banner of Victory. Music, a symbol of the victory of Russian pre-revolutionary army becomes the background to symbol of our great victory.
old author and the exact year of writing this march. Some Western historians believe that the march might Swedish origin, but no evidence, no. In Germany, long a common opinion [3] that the march was composed in 1816 by Ferdinand Haase (Ferdinand Haase 1788-1851, chief conductor Orchestras Guard troops in 1830-1850, respectively). However, in 1816 and 1817 respectively Haase (Haase), after the Russian captivity, was at the court of Grand Duke Konstantin Pavlovich in Warsaw and the possibility that he could compose a march, march instantly become an elite regiment of the Transfiguration, it seems highly improbable.
Also the very structure of the march in the form of Kant's very likely indicates that the march was composed in the first quarter of XVIII century. Also believes, and Deutsche Gesellschaft für Militärmusik (DGfMM). Indirectly confirms the occurrence of the march under Peter I of its popular pre-revolutionary name - "March of Peter the Great" or "Peter Marsh". Maybe Melody the march was taken from the song "We Know Turks and the Swedes" ("Glorious were our ancestors" - a later text), and may originally appeared march, and these texts - later. However, check it now does not seem possible. I would very much helped the notes of the march of the XVIII century, but the existence of those unknown to us.
possible that the original march was without trio may have been other melodic changes.
In 1816 the march was included in the Russian Imperial catalog marches (kaiserlich russische Marsch-Sammlung) numbered I, 54. About this catalog in Russia is not known, however, German historians constantly refer to it by mentioning that our catalog has become the basis for the famous Prussian (later German) catalog marches - Königlich-Preußische Armeemarschsammlung (AMS), established by decree of King Friedrich Wilhelm III in 1817. Most likely, the Russian directory was created under the leadership of Anton Derfeldta-father, (Anton Dörfeldt 1781 - 1829) who from 1802 to 1829 years was the chief conductor of orchestras Guard troops. Perhaps This directory has another name - "Collection of military marches of all the regiments of the Guard A. Derfeldta. However, the German historians mention the fact that when you create Armeemarschsammlung (AMS) has been selected 72 march of about 140 available. This indicates a large number of marches in the directory and exclude the possibility of making a directory exclusively marches of the Guards regiments. This is confirmed and details of some marshes, like standing in a Russian catalog, such as the famous "Paris march 1815" It had room II, 55. Also among those first 72 marches and was forgotten in Russia AM I, 18 March Arhangelogorodskogo Infantry Regiment, a regiment that had no relation to the Life Guards. It should be noted that the directory Derfeldta-father is in the Russian State Library in Moscow under the title «Partition des marches militaires des gardes imperiales russes». Unfortunately, we did not have opportunity to see this valuable source, and clearly answer the question - whether he is Russian Imperial catalog marches.
At AMS, established in 1817 was based on the Russian catalog, among those 72 selected marches was included and the march of the Life Guards regiment of the Transfiguration of the number of AM I, 30. He was Präsentiermarsch (counter-march) Prussian Infanterie-Regiment Graf Schwerin Nr. 14 (3. Pommersches) in Bromberg (Provinz Posen), and a Pionier-Bataillon Fürst Radziwill (Ostpreußisches) Nr. 1 in Königsberg (Ostpreußen), where he played until 1914 after World War II march played in East Germany and West Germany.
In Russia, he was also a march Novoingermanlandskogo 10th Infantry Regiment, 147th Infantry Regiment, Samara and Vyborg garrison infantry battalion.
But the march came as a Southern Europe and other Western European countries. King Alfonso XIII was so impressed them with his first visit to Russia, he asked permission of the Emperor Nicholas II used to march his Guardie de Alabarderos. The regiment guarded the royal palace and is considered the oldest regiment in Europe.
Brother Swedish Queen Louise, Lord Mountbatten (1900-1979), Earl of Burma, last Viceroy of India, the uncle of Prince Philip, husband of Queen Elizabeth II, was a cousin of wife of King Alfonso XIII, Princess Victoria Eugenia von Battenberg, and I saw how in 1928 the English guards in their splendid uniforms and his orchestra performed the "Transfiguration March. At Lord Mountbatten's march made so impressed that he told the English king that he would use the march to the Royal Marines (British Royal Marines) and received approval [2].
However, there is anecdotal evidence of one Englishman, in a television interview in early 1970, Lord Mountbatten said that the march he inherited from his German ancestors (his mother was a Hessian princess Victoria, the eldest sister of the last Russian empress Alexandra Feodorovna).
Anyway, Lord Mountbatten proposed the use of "Transfiguration of March", arranged by Vivian Dunn (Sir Francis Vivian Dunn 1908-1995) in the Royal Marines as a counter- March (Slow March). But the leadership of Royal Marines long resisted.
But Lord Mauntbettenu managed to introduce a march in other structures. In 1942, Lord Mountbatten ordered orchestra «Combined Operations Command» play "Transfiguration march" as a march to inspect the guard of honor. Since then, his orchestra played all the appearance of Lord Mountbatten as First Lord of the Admiralty, not only as music, for inspection, but the march to a solemn passage in parades, and ceremonies «Beating Retreat». Also, US Marine Band played the march, if they are inspected by Lord Mountbatten.
Yet "Transfiguration march" has not yet become a regimental march opposing the Royal Marine Infantry (Regimental Slow March), but Mountbatten did not give up, and the 300-year anniversary of the Royal Marines in 1964 he was already being chief of the British Armed Forces (Chief of the Defence Staff), attributed the march to the Marines, where the march was hastily endorsed as the regimental march of the counter. It is noteworthy that in the television series «Mountbatten» theme song - "Transfiguration march "in the orchestra of Royal Marines.
may also mention another application of this march as a musical greeting in the performance of brass band instead of signals from the horn, while meeting and seeing most August personages and military officers of higher rank in the Royal Navy of Great Britain (Royal Navy) and the Royal Marines. In 1909 it was approved, that the general should welcome the first 8 bars "Transfiguration of the march, but played at a fast pace.
But Lord Mountbatten was not satisfied with the that "the march of Transfiguration" was approved by the regimental march of the counter in the Royal Marines. He was an honorary colonel in the British Life Guards (Life Guards, it is noteworthy that in Britain it is purely a cavalry division), and in 1970 he sought to "march of the Transfiguration" and also played at the birthday party Queen (ceremony «Trooping the Solor) Orchestra of the Life Guards. Orchestra conductor Antony J. Richards, said afterwards: "It's a good march, and he's very good for equestrian units, If he plays in a special way, if you start with the second stroke, and only play the first 2 topics «da capo» and do in the third quarter in the eighth step of the emphasis on proportion. " Thus it was arranged and performed by Richards, but in 1979 Lord Mountbatten was killed in a suicide attack, and march in the Life Guards are no longer performed.
It should also be mentioned that Vivian Dunn wrote «The Mountbatten March» in 1970, the beginning of the march, he built a 4-stroke "Transfiguration of the march."
Johann Strauss son (Johann Strauss II, 1825-1899) in 1856 wrote Waltz «Kroenungslieder» (Op. 184) that begins with the march of the Life Guards regiment of the Transfiguration, and dedicated it "with the deepest respect for Her Majesty the Empress Maria Alexandrovna." The Empress, born Maximilian Maria Wilhelmina, Princess of Hesse-Darmstadt (1824-1880), daughter of Grand Duke Ludwig II of Hesse, married in 1841 for the Grand Duke Alexander Nikolaevich, the future Emperor Alexander II. Waltz was written for the coronation of Alexander II and was first performed 14 (2) August 1856, at the second concert benefit performance of Strauss, together with a French polka "L'Inconnue» (op. 182). Valls was performed 32 times during the concert of Strauss in the pavilion "Vauxhall" in Pavlovsk (Vauxhall Pavilion). The king was so inspired by playing Strauss Orchestra, which ordered him to attend the coronation celebrations in Moscow on September 7 (26 August) and conduct the orchestra at the ball, which gave the Austrian ambassador, Prince Paul Esterhazy. In a letter to his Viennese publisher Haslingeru Karl (Carl Haslinger) 14 (2) September 1856 Strauss wrote about the waltz and polka: "With these two things I have here a great success. Although I had a little time, I had even less confidence in their success."
in 1834 at AMS under the number AM II, 99 includes a second march Transfiguration Regiment - «Marsch des Leib-Garde Preobraschenski Regiments» von Ferdinand Haase (or «Geschwindmarsch aus St. Petersburg vom Leib-Garde-Preobraschenski-Regiment»).
lack of literature on this topic, closed our archives Our amateur status does not allow us yet to answer the question whether there was a tradition in the guards regiments have several marches. However, this tradition has been in Prussia, and one can assume that this tradition is likely to have been ours. This is confirmed by the recollections of officers of the tsarist army [7]. Also, we have found "Second" March of the Life Guards Izmailov, Semenovski, Kexholmsky, Volyn, Chasseur regiments, the Life Guards Battalion and this - the march of the Life Guards Transfiguration Regiment.
This music is quite unlike the well-known to us now march. In the trio - artfully crafted hymn Lviv "God Save the Tsar", adopted a year before entering AM II, 99 in the AMS. VI Tutunov mentions that Peru Haase belongs to the editorial board of the Transfiguration of the march, and possibly adding a trio of [8]. But it seems Haase wrote second regimental march, soon (in modern terminology - drill) to include a trio of the new anthem of the Russian Empire. With the advent of the catalog of the march, probably and related confusion about authorship Haase and trios in the first known to us march Transfiguration Regiment (AM I, 30). The fact that the renowned German expert in the field Wind Music 2 nd half of the XX century Joachim Toeche-Mittler (Joachim Tehe-Mittler) wrote about AM I, 1930: «im Trio das Lemberger Lied» («L'viv in the trio's song") [5], but this assertion is wrong. Obviously, he confused the name of Prince Lvov, the author of "God Save the Tsar" in the city of Lviv, then called Lemberg and is part of the Austrian monarchy. Tehe-Mittler mistakenly moved the name of Russian national anthem ("Song of Lviv», «das Lemberger Lied» in his erroneous translation) for the song "Glorious were our grandfathers."
separate consideration deserves the use of the march in Germany after 1918 according to our data, it was included in Heeresmarschsammlung numbered HM I, 45. The fact that AMS was "closed" in 1925, and in the years 1933-1945 drawn up by his successor - Heeresmarschsammlung (HMS). It includes as many marches of AMS (in a new orchestration), and other marches. Confusing is that this march was made to drill in the catalog counter. However, perhaps the error crept in, and the HMS was introduced exactly AM I, 30. Anyway, this is a very intriguing fact - in Hitler's Germany had the official status of one of the marches of the Life Guards regiment of the Transfiguration. However, it is not so rare, we recall the Austrian march "Tsarevich Alexander Marsh" 1853 Andreas Leongardta (better known as the AM II, 161 «Alexander-Marsch» von Andreas Leonhardt), who was one of the official drill marches Waffen-SS numbered HM II, 44 in the HMS. Or, for example, HMS was not included preserved in the Russian drill march of the Life Guards regiment Semenovski AM II, 1962 under number HM II, 15 (more than that - it sounds a propaganda film by Leni Riefenstahl «Der Sieg des Glaubens» («Victory of Faith", 1933). Also numbered HM II, 72 was included "March 75 th Infantry Regiment, Sevastopol» AM II, 183, which we more commonly known as "Column March 14 th Georgia Infantry Regiment, "or" Former patrol the march. "
Now in Russia soon (drill) march Transfiguration Regiment (AM II, 99) completely forgotten ...
In the postwar years in Germany all AMS and HMS was recorded at a series of 52 records «Historische Armeemärsche», were recorded and marches Transfiguration Regiment. For some reason in both cases the sounds a well-known AM I, 30, recording only differ in tempo, the first march in the discreet "authentic" pace XVIII-th century, a second faster (as played by now). Were probably lost original music AM II, 99. Only in the XXI century we have heard this a rare march in the performance of German Landespolizeiorchester Brandenburg under the baton Jürgen Bludowsky (entry 2005).
The fact that the Transfiguration March "comes from the era of Peter the Great, also confirmed the opinion of the conductor Eduard Napravnik, who in 1896 published the publisher Boosey & Co. concert march of "Peter the Great," based on "Transfiguration of the march."
In 1914 came the march "Accession to the Lions" (National Anthem and the Transfiguration of the march) [6] devoted to Gen. NV Ruzsky, under whose command the Russian forces took the Lions on Aug. 21 (Sept. 3), 1914. In this work, the famous melody of the march put words of the hymn "God Save the Tsar".
Marsh was performed in the Soviet era, there is a recording orchestra NGOs under Semyon Alexandrovich Chernetsky. March repeatedly recorded the first individual Orchestra of USSR Ministry of Defense, the Defense Ministry, the Orchestra of Leningrad military district headquarters, the Admiralty Orchestra LVMB, the Orchestra of St. Petersburg Suvorov Military School, and others. The oldest well-known account of the march is to record the orchestra Guards running Wojciech Ivanovic Glavacha (1849-1911).
In conclusion, I want to say about the extreme poverty of the repertoire of our military bands. An example of an early (combatant) March Transfiguration Regiment confirms it. Conductors do not want to write new wetlands, the publishers do not study the archives, recording and releasing only the most famous, not afraid to say - beaten product. Repertoire rolled to the stage. Here I want to say thanks to the two conductors - AA Karabanova and NF Uschapovskomu for entry Russian гвардейских маршей и маршей С. А. Чернецкого.
Смешно сказать, наши оркестры записывают и играют марши самопровозглашенного «короля маршей» Дж. Ф. Сузы (J. P. Sousa) Today, when most of the marches of our patriarchs - Chernetsky, Ivanova-Radkevich, Hythe, Runova, Diev and pre-revolutionary masters: a father and son Derfeldtov, Haase, Wurm, Becker, Leyseka - known for a wide range of listeners. A huge amount of music, recorded the first Orchestra of USSR Ministry of Defense Never released on CD-ROM. Archives, which holds the most valuable records are almost inaccessible to the private user. And all this occurs against the backdrop of officiously-positive reviews in the media about September's military festival in Moscow.
Agafonov (marsches@narod.ru)
Petrov (petrovfed@rambler.ru)
St. Petersburg, July 2007
Sources:
1. http://marsches.ru/
2. Lars C. Stolt. Preobrazjenskij-Marschen
( http://www.militarmusiksamfundet.com/show_artikel.asp?id=preobraz )
3. LP Historische Armeemärsche Folge 19
4. Deutsche Armeemärsche Band I, 1961
5. Toeche-Mittler J. Deutsche Armeemärsche
6. Accession to the Lions (National Anthem and the Transfiguration of march): For the AF. MM: YU.SCH.: Warehouse Y. Zimmermann BG
7. Redkin AP Picture of peaceful life of the Life Guards Pavlovsky Regiment. Regimental holiday 1910 / / Military profit. № 44. 1960
( http://diderix.petergen.com/plz-pp1.htm )
8. Tutunov VI Military History Music Russia / Society. Ed. E. Aksenova. - M: Music, 2005. - 496.
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